Join us for a little night music! Program to include Jocelyn Morlock’s Vespertine for Flute & Harp, the world premiere of Artistic Director Jonathan Cziner’s Lunaris for Violin & Piano (commissioned for Artistic Director Emerita Maria Schleuning), and a “constellation” of short nocturnal pieces culminating with Debussy’s Clair de Lune.

​PROGRAM:

Augusta Read Thomas ✦ Dream Catcher (2008, rev. 2021)

Jocelyn Morlock ✦ Vespertine (2005)

Carlos Simon ✦ Sleep Well (2018)

Carla Rees ✦ Nightsong (2016)

Han Lash ✦ Stalk (2008)

Ellen Reid ✦ Red Brick Moon (2020)

Debussy ✦ Clair de lune from 'Suite Bergamasque' (1905)

Jonathan Cziner ✦ Lunaris (2023-2024) (world premiere — VoC commission)

PERFORMERS:
Liudmila Georgievskaya, piano
Emily Levin, harp
Maria Schleuning, violin
Ebonee Thomas, flute/piccolo

This Zoom event hosted by Burkart flutes will discuss the “do’s and don’ts of” of making a convincing prescreen tape and give feedback on students’ submissions. Students interested in participating in the online clinic should submit all recordings by November 15. More information can be found on Instagram using the handle @burkartflutes or by emailing info@burkart.com.

The Vanderbilt University Blair School of Music presents a guest artist recital featuring Ebonee Thomas. The recital will be held in Turner Hall, and tickets can be reserved on a pay as you wish basis.

Lost, confused, and frightened, Melisande is coerced into marrying the overbearing prince Golaud, and in her marital melancholy, the young bride grows close to her handsome brother-in-law, Pelleas. Golaud’s rage sets the stage for this timeless tale of forbidden love, family jealousy, and regret. Debussy’s luminous orchestrations propel the drama to ecstatic heights, the music a striking contrast to this new Ibsen-esque production by Dutch director Jetske Mijnssen.

Ludovic Morlot conducts a stunning cast including baritone Benjamin Appl as Pelleas, soprano Lauren Snouffer as Melisande, and baritone Nicolas Courjal as Golaud. Sir Willard White makes his Dallas Opera debut as the grandfather Arkel, and mezzo-soprano Katharine Goeldner is the matriarch Genevieve.

Audience favorite Pépito is back! The lovely and faithful Manuelita is at the center of this smalltown love story, and despite being pursued by local suitors, she insists on keeping her marriage promise to Pépito, who is away at war. Manuelita’s resolve is tested as new discoveries come to light, but a happy ending ensues, with lots of fun and surprising plot twists and turns along the way. The Dallas Opera Orchestra is joined by a fabulous cast for this one-act, English-language opera packed with gorgeous singing and beautiful music.

Lost, confused, and frightened, Melisande is coerced into marrying the overbearing prince Golaud, and in her marital melancholy, the young bride grows close to her handsome brother-in-law, Pelleas. Golaud’s rage sets the stage for this timeless tale of forbidden love, family jealousy, and regret. Debussy’s luminous orchestrations propel the drama to ecstatic heights, the music a striking contrast to this new Ibsen-esque production by Dutch director Jetske Mijnssen.

Ludovic Morlot conducts a stunning cast including baritone Benjamin Appl as Pelleas, soprano Lauren Snouffer as Melisande, and baritone Nicolas Courjal as Golaud. Sir Willard White makes his Dallas Opera debut as the grandfather Arkel, and mezzo-soprano Katharine Goeldner is the matriarch Genevieve.

Lost, confused, and frightened, Melisande is coerced into marrying the overbearing prince Golaud, and in her marital melancholy, the young bride grows close to her handsome brother-in-law, Pelleas. Golaud’s rage sets the stage for this timeless tale of forbidden love, family jealousy, and regret. Debussy’s luminous orchestrations propel the drama to ecstatic heights, the music a striking contrast to this new Ibsen-esque production by Dutch director Jetske Mijnssen.

Ludovic Morlot conducts a stunning cast including baritone Benjamin Appl as Pelleas, soprano Lauren Snouffer as Melisande, and baritone Nicolas Courjal as Golaud. Sir Willard White makes his Dallas Opera debut as the grandfather Arkel, and mezzo-soprano Katharine Goeldner is the matriarch Genevieve.

Lost, confused, and frightened, Melisande is coerced into marrying the overbearing prince Golaud, and in her marital melancholy, the young bride grows close to her handsome brother-in-law, Pelleas. Golaud’s rage sets the stage for this timeless tale of forbidden love, family jealousy, and regret. Debussy’s luminous orchestrations propel the drama to ecstatic heights, the music a striking contrast to this new Ibsen-esque production by Dutch director Jetske Mijnssen.

Ludovic Morlot conducts a stunning cast including baritone Benjamin Appl as Pelleas, soprano Lauren Snouffer as Melisande, and baritone Nicolas Courjal as Golaud. Sir Willard White makes his Dallas Opera debut as the grandfather Arkel, and mezzo-soprano Katharine Goeldner is the matriarch Genevieve.

The deck is stacked against Violetta, the ill-fated heroine of this well-loved tragedy—a courtesan trying to turn her life around, she falls for the romantic Alfredo, but illness and family meddling thwart her one chance at happiness. The buoyant music dances through party scenes and tenderly carries the heartbroken lovers through longing and despair. This stylish new production is designed by Tony Award–winner Christopher Oram and directed by Louisa Muller in her Dallas Opera debut.

Last year’s winner of the Emerging Stars Competition at San Francisco Opera, Chilean soprano Yaritza Véliz brings passion and power to the role of Violetta, and acclaimed Mexican tenor Javier Camarena sings the lovesick Alfredo. Featuring The Dallas Opera Orchestra and Chorus.

The deck is stacked against Violetta, the ill-fated heroine of this well-loved tragedy—a courtesan trying to turn her life around, she falls for the romantic Alfredo, but illness and family meddling thwart her one chance at happiness. The buoyant music dances through party scenes and tenderly carries the heartbroken lovers through longing and despair. This stylish new production is designed by Tony Award–winner Christopher Oram and directed by Louisa Muller in her Dallas Opera debut.

Last year’s winner of the Emerging Stars Competition at San Francisco Opera, Chilean soprano Yaritza Véliz brings passion and power to the role of Violetta, and acclaimed Mexican tenor Javier Camarena sings the lovesick Alfredo. Featuring The Dallas Opera Orchestra and Chorus.

The deck is stacked against Violetta, the ill-fated heroine of this well-loved tragedy—a courtesan trying to turn her life around, she falls for the romantic Alfredo, but illness and family meddling thwart her one chance at happiness. The buoyant music dances through party scenes and tenderly carries the heartbroken lovers through longing and despair. This stylish new production is designed by Tony Award–winner Christopher Oram and directed by Louisa Muller in her Dallas Opera debut.

Last year’s winner of the Emerging Stars Competition at San Francisco Opera, Chilean soprano Yaritza Véliz brings passion and power to the role of Violetta, and acclaimed Mexican tenor Javier Camarena sings the lovesick Alfredo. Featuring The Dallas Opera Orchestra and Chorus.

The deck is stacked against Violetta, the ill-fated heroine of this well-loved tragedy—a courtesan trying to turn her life around, she falls for the romantic Alfredo, but illness and family meddling thwart her one chance at happiness. The buoyant music dances through party scenes and tenderly carries the heartbroken lovers through longing and despair. This stylish new production is designed by Tony Award–winner Christopher Oram and directed by Louisa Muller in her Dallas Opera debut.

Last year’s winner of the Emerging Stars Competition at San Francisco Opera, Chilean soprano Yaritza Véliz brings passion and power to the role of Violetta, and acclaimed Mexican tenor Javier Camarena sings the lovesick Alfredo. Featuring The Dallas Opera Orchestra and Chorus.

The deck is stacked against Violetta, the ill-fated heroine of this well-loved tragedy—a courtesan trying to turn her life around, she falls for the romantic Alfredo, but illness and family meddling thwart her one chance at happiness. The buoyant music dances through party scenes and tenderly carries the heartbroken lovers through longing and despair. This stylish new production is designed by Tony Award–winner Christopher Oram and directed by Louisa Muller in her Dallas Opera debut.

Last year’s winner of the Emerging Stars Competition at San Francisco Opera, Chilean soprano Yaritza Véliz brings passion and power to the role of Violetta, and acclaimed Mexican tenor Javier Camarena sings the lovesick Alfredo. Featuring The Dallas Opera Orchestra and Chorus.

The GDYO is proud to feature alumna and board chair member Ebonee Thomas on their upcoming Season Opener Concert. Thomas will perform Ibert’s Concerto for Flute & Orchestra on Sunday 10/13 (free for Teachers, Seniors & First Responders!) Tickets available now at GDYO.ORG.

Music Director Stéphane Denève opens the season with the dreams and passions of Hector Berlioz’s Symphonie fantastique, a work that tells the story of Berlioz’s obsession. Composer Mason Bates' new violin concerto, influenced by folk dances of Eastern Europe, is brought to energetic life by soloist Gil Shaham.

Join The Cliburn at Fort Worth Zoo's Outdoor Learning Theater for the inaugural Cliburn Family Concert Series. Your imagination will go wild as playful musicians impersonate the animal kingdom using two pianos, a flute, clarinet and strings to bring Saint-Saëns "The Carnival of the Animals" to life like never before! Plus, enjoy some surprise outreach animal appearances throughout the performance.

Tickets can be purchased through The Cliburn and include Zoo admission.

“The unrivaled brilliance of Gustav Holst’s Jupiter from The Planets sets the stage for the 2024 Lakes Area Music Festival’s closing ceremony. As the U.S. premiere of Lil Lacy’s Aurora honors new beginnings and the opportunities of a new day, Richard Strauss’ Ein Heldenleben (A Hero’s Life) tells the ultimate story of adventure and accomplishment. There is no greater conclusion to our own grand adventure than the recognition that a hero’s journey is much bigger than the hero alone.” Taken from https://lakesareamusic.org/event/a-heros-life/

“In a deeply moving new work, American composer Leanna Primiani centers the heroic stories of the survivors of human trafficking, painting a sonic landscape that emerges from tragic darkness into hope and light, and awakening our understanding of this tragic issue. Stefan Jackiw, a virtuosic musician with “talent that’s off the scale” (The Washington Post) makes his Lakes Area debut in Dvořák’s passionate and emotional Violin Concerto.” Taken from https://lakesareamusic.org/event/jackiw-plays-dvorak/

A magnificent exhibition of sound, sight, and spirit—the Grande Messe des Morts of Hector Berlioz stretches emotion and passion to extremes. This larger-than-life experience is an overwhelming realization of the hallowed liturgical Requiem text.

Overview

Kick off your Summer with POPS & Popsicles at the FWSO Concert on the Lawn at The Amon Carter Museum of American Art. Pack a picnic, watch the sunset, and enjoy a POPS concert under the stars featuring recognizable tunes like “Eleanor Rigby,” “The Magnificent Seven,” "Hoe Down" from Rodeo, and more!

Frios Gourmet Pops will be serving up a COOL Summer treat for ALL to eat! Frios proudly offers dairy and gluten-free options! Frios accepts cash, card, and digital payment.

Bring your own seating - blankets or folding camp chairs recommended.

*RSVP Required for FREE Ticket

Concert Location:

Amon Carter Museum of American Art

3501 Camp Bowie Blvd.

Fort Worth, TX 76107

Parking Map

Works

ROSSINI: Galop from William Tell

AARON COPLAND: Hoe-Down from Rodeo

LEROY ANDERSON: Bugler's Holiday

THE BEATLES (arr. MOORE): Eleanor Rigby for String Orchestra

ELMER BERNSTEIN (arr. PHILLIPPE): The Magnificent Seven

PIETRO MASCAGNI: Intermezzo from Cavalleria Rusticana

CHARLES IVES (arr. ADLER) Variations on America

ALAN SCHULMAN: Ben Franklin Suite

III. Caprice

JOHN WILLIAMS: With Malice Toward None from Lincoln

arr. BOB MATHEWS: Armed Forces Salute

JOHN PHILIP SOUSA: Washington Post March

Sempre Fidelis march

Stars and Stripes Forever

In partnership with the International Trombone Festival and Texas Christian University, The FWSO’s season finale goes out with a blast, spotlighting the brass instruments of the orchestra. Music Director Robert Spano will lead the ensemble in a brand-new double concerto for trombone and piano titled DEPARTURES by Texas Christian University alumnus Kevin Day, as well as Pulitzer Prize-winning composer Jennifer Higdon’s river sings a song to trees. For the big finish: Mahler’s Symphony No. 5.

In partnership with the International Trombone Festival and Texas Christian University, The FWSO’s season finale goes out with a blast, spotlighting the brass instruments of the orchestra. Music Director Robert Spano will lead the ensemble in a brand-new double concerto for trombone and piano titled DEPARTURES by Texas Christian University alumnus Kevin Day, as well as Pulitzer Prize-winning composer Jennifer Higdon’s river sings a song to trees. For the big finish: Mahler’s Symphony No. 5.

In partnership with the International Trombone Festival and Texas Christian University, The FWSO’s season finale goes out with a blast, spotlighting the brass instruments of the orchestra. Music Director Robert Spano will lead the ensemble in a brand-new double concerto for trombone and piano titled DEPARTURES by Texas Christian University alumnus Kevin Day, as well as Pulitzer Prize-winning composer Jennifer Higdon’s river sings a song to trees. For the big finish: Mahler’s Symphony No. 5.